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Room took home Best Actress, Bridge of Spies won Best Supporting Actor, and The Big Short won Best Adapted Screenplay-only Brooklyn and The Martian went home empty-handed.
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The big winners were Spotlight, Mad Max: Fury Road (six wins), and The Revenant (three wins), but voters spread the wealth among the Best Picture nominees. It was an acidic night on that front, but it had to be, and the Academy’s President, Cheryl Boone Isaacs, made an impassioned plea to members to accept the changes geared towards expanding voter diversity, as if to say, let’s stop this publicity disaster from ever happening again. DeMille’s The Greatest Show on Earth in 1953.Ĭhris Rock was laser-focused on the #OscarsSoWhite controversy from beginning to end-his entire opening monologue swung at it, and he interspersed several strong bits through the show, returning to the interviews with real-life cinemagoers of color that worked so well in his first hosting gig. Trivia: The last film to win Best Picture and just one other Oscar ( Spotlight took Best Original Screenplay) was Cecil B. Spotlight, a sober tale of journalism done right, was less sweeping or cinematic than many of the other nominated pictures, but it was still an important tale powerfully told: enough for it to win Oscar’s biggest prize. Mad Max: Fury Road, The Revenant, Room, and The Big Short all had their passionate fans, but weren’t generally popular enough to be marked as consistent favorites. Perhaps Spotlight’s win shouldn’t have been surprising-it was a diffuse Oscar season, with a lot of favorite films but no consensus pick, and that’s the kind of year in which a film that almost everybody liked can rise to the top.